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FREQUENTLY ASKED QUESTIONS
1. Ive never really understood the terms
“gem,” “precious gem,” and
“semiprecious gem.” What exactly is a
“gem”? 
According to
the eminent gemologist of the early twentieth century, to be
considered a “gem” the material must be beautiful,
durable, and rare. In terms of value, we must also add another
qualifier: there must be demand! This may seem overly
simplified, but it really is a perfect definition. And when we
examine it further, these qualifications are all determined by
“quality” differences rather than the mineral family. It
is quality that affects “beauty, durability,
rarity, and demand.” For example, a very poor quality
emerald or ruby will not be very pretty, it will have so many
fractures or cracks that it won’t be durable; in such
poor quality, it is not at all rare; and, finally, there is no
demand for a ruby or emerald of poor quality—they are not
pretty and no one would be excited to own one. A poor quality
ruby or emerald is not a gem; in the case of the ruby, it is simply a piece
of red corundum (the mineral family to which ruby belongs), and
the emerald is simply beryl (the mineral family to which
emerald belongs).
We also don’t classify stones as
“precious” or “semiprecious” today
because there are gemstones, such as garnets and
tourmalines, that are more beautiful, rare, durable, and costly
than the “big four” gems previously known as
“precious”—emerald, ruby, sapphire, and
diamond (and in some cultures, black opal and imperial jadeite
jade were considered “precious” gems). Today it is not the gemstone variety that
determines status, but rather, quality differences. A small, fine quality deep green
garnet called tsavorite would be more costly—more
“precious”—than a low-quality emerald; a
brilliant red spinel more costly than a low or medium quality
ruby. And a rare, brilliant, “neon” tourmaline from
Paraiba, Brazil, will cost as much or more than a rare Burma
sapphire.
So don’t think in terms of
“precious” and “semiprecious” but
instead, think in terms of beauty, rarity, and desirability.
These are the factors affecting the “preciousness”
of any gem.
2. I’ve been told that all colored gemstones
are “treated” so what is a “natural”
gem? And why are they treated?
First,
it is important to understand that when the jewelry trade makes
reference to “natural” colored gemstones today,
they are distinguishing those formed in nature from those
formed in a laboratory. It is very confusing because most
people think a “natural gemstone” is one that was
formed in nature and, apart from the cutting and
polishing, is exactly what nature created. Unfortunately, this
is not the case; most “natural” gemstones sold
today are, in fact, “treated” in some way. So when
we say we want a “natural” gem, we must clarify
what we mean. Do we mean a “natural” gem that is
“not treated in any way,” or do we mean a gemstone
that was formed in the earth rather than a lab, and then
altered by some type of treatment to appear more beautiful than
it would otherwise have been.
Anyone buying any colored gemstone today
needs to understand which gems are routinely treated—and
which are not—so that you can be sure you get what you
really want, and pay an appropriate price. In the case of ruby
and sapphire, the routine use of treatments began in the 1960s
because demand for these gemstones was increasing while supply
was quickly decreasing. The use of heating techniques was
introduced to improve the color and clarity of sapphires in the
1960s, and rubies in the 1970s. In the case of emerald, the
practice of filling surface-reaching cracks with oil to reduce
their visibility is a practice that is centuries old and was
considered a “fair trade practice.” (There
isn’t enough room here to cover the subject of gemstone
“treatments,” but no one buying or selling colored
gems should do so without reading my chapter on treatments in Colored Gemtones: The Antoinette Matlins Buying
Guide). In general, were it not for
the availability of “treated” stones, fine rubies,
sapphires, and emeralds would be enjoyed today only by those
fortunate enough to be among the world’s most rich and
powerful.
Many gemstones in addition to ruby,
sapphire, and emerald are treated today, but there are also
many gemstones that cannot be improved by gemstone treatments
and offer attractive alternatives to anyone seeking a
“natural” gemstone. For anyone seeking a truly
“natural” gemstone, some of the gems not treated
routinely include gems in the garnet family such as tsavorite
and mandarin garnet, the spinel family, and chrome tourmaline
to mention a few.
3. Are all “treated” gems
treated equally, and should I care?
No, all gemstones are not
treated equally and it is very important to know the type of
treatment used and the extent to which the stone has been
treated. In addition, it is important to ask whether or not the
treatment is “permanent” and whether or not it
affects the durability or wearability of the stone.
1. Can I get a bargain on a diamond by
going to a wholesale “diamond district”? It is usually very difficult for a consumer who is not highly knowledgeable
to get a “bargain” in a “diamond district.” The
extent of fraud and misrepresentation in wholesale diamond
districts has often been found to be high, and often consumers find they have no
recourse when they discover a problem. However, if you follow these steps, you should be
able to buy with greater confidence wherever you are:
A. Know what questions to
ask—these include getting information about the 4Cs, but there are other
important questions pertaining to the settings, treatments, and
so on.
B. Make sure the seller is willing to put
the answers to all of the questions you’ve asked in
writing on the sales receipt. If not, go elsewhere.
C. Find a gemologist-appraiser who holds
respected credentials (such as the Master Gemologist Appraiser
title, awarded by the American Society of Appraisers) to
confirm that the information on the sales receipt is accurate.
If not, you’ll have legal recourse. And even in cases where the
store has signs saying “no returns” or “no
cash refunds,” this does not legally protect sellers who have
misrepresented the facts—according to consumer protection laws in the United States they must refund the money.
2. If a diamond
has a GIA report, do I need to get an independent
appraisal? Absolutely. How do you
know it is a legitimate GIA report? Diamonds have been sold on
the Internet with counterfeit GIA reports. Furthermore, the
diamond might not match the report—stones do get mixed up
unintentionally—or the diamond might have been damaged
since the GIA report was issued resulting in a smaller stone,
or a lower clarity grade.
3. Experts on the Internet advise against
buying a diamond with “strong” fluorescence. What
is fluorescence, and should I avoid stones that have it? Absolutely not! I look for diamonds that have blue fluorescence
for many of my clients because not only is it not anything
“bad,” but it can be a good thing. And since so
many people are afraid of fluorescent diamonds, the price is
usually a little less to make them more attractive.
The primary reason for the resistance to
buying or selling diamonds with fluorescence is lack of
knowledge. Many jewelers don’t really understand
fluorescence so they simply avoid it. Despite the positive
findings of a study conducted by the Gemological Institute of
America several years ago that demonstrated that consumers preferred colorless diamonds with blue fluorescence—“because they look
whiter”—resistance on the part of retailers remains
virtually unchanged.
Regardless of the benefit of fluorescence,
many retailers are quick to point
out—erroneously—that “diamonds with
fluorescence don’t sparkle as much as non-fluorescent
diamonds.” Or, “fluorescent diamonds look
oily.” Or, “fluorescent diamonds aren’t as
valuable.” The first thing you need to understand is that
such comments are overgeneralizations, and while they are
sometimes true, they are usually not true. First, while some diamonds with
extremely strong fluorescence can look oily and exhibit less
sparkle, many diamonds with blue fluorescence show absolutely
no difference in terms of sparkle and personality, and are not
only equally alluring, but offer a unique benefit—they
look whiter. In terms of value, while stones of the rarest
qualities (D-H/Fl–VS) may sell for slight discounts, the
vast majority of such stones are actually sold at a small
premium.
Fluorescence refers to whether or not a
stone produces a color reaction when exposed to ultraviolet
radiation—a color seen only when the stone is exposed to ultraviolet
radiation. Whether or not a diamond fluoresces, and the
strength of its fluorescence (faint, weak, moderate, strong,
very strong) is determined by viewing the diamond with a
special lamp called an ultraviolet
lamp, which emits only ultraviolet
radiation. When we say a white (colorless) diamond fluoresces blue,
we mean that its color will appear to be blue when we view it
under the pure ultraviolet light produced by the ultraviolet
lamp. The stone is really a colorless diamond, and will look
colorless in normal light. Some diamonds fluoresce while others
do not. A diamond can also fluoresce one of many colors, but
the most common fluorescent colors seen in diamonds are blue,
white, or yellow.
It is important to note whether or not a
diamond fluoresces, and what color it fluoresces, because there
are varying wavelengths of ultraviolet radiation all around us.
Ultraviolet radiation is present in daylight (that’s what
causes sunburn) and wherever there are
“fluorescent” light fixtures, those long tube
lights you see in the ceiling of many stores and office
buildings. This means that, depending upon the strength of a
diamond’s fluorescence, and the intensity of the
ultraviolet radiation in the light source, its color may not
appear the same in all lights.
A diamond that has faint or weak
fluorescence will have virtually no effect on the appearance of
a diamond (although it is worth noting for identification
purposes). A diamond that fluoresces medium to strong blue, for
example, might appear whiter in daylight, or in an office or
store in which there are fluorescent light fixtures because the
ultraviolet radiation present will cause the diamond to emit
some degree of blue, masking any faint yellow or brown tint
that might be present. This is why consumers preferred diamonds
that fluoresced blue in the GIA study. Keep in mind that
fluorescent lighting is now found in most offices and many
stores. In other light sources, the color of a blue-fluorescent
diamond may not actually be as white as it appeared in
fluorescent light, but since the difference is slight and the
personality of the diamond is more lively in other types of
light, no one ever notices. What they do notice is the
whiter color when seen in daylight or fluorescent light.
Clearly, if the fluorescence is so strong that it creates an
oily or murky appearance in the stone, or if the personality of
the stone seems reduced, I advise avoiding these stones, or, at
least, paying much less for them, but this is usually not the
case.
When it comes to diamonds that fluoresce
other colors, the presence of fluorescence may be less
desirable. For example, if a white diamond fluoresces
“strong yellow” it will look less white, even
tinted, in fluorescent or daylight, and few people want a
diamond that looks “less white” in many
lights—unless the price is very attractive. In the case
of fancy-color diamonds, the presence of fluorescence can be
both good or bad. The presence of blue fluorescence in a yellow
diamond may create a slight greenish undertone to the yellow.
This might be a very desirable color to some, and undesirable
to others. Or, depending upon the diamond, it can even cause a
“color-change” effect. I observed a diamond that
appeared “fancy green” in daylight, and a pure,
vivid yellow in incandescent light, a yellow that had
absolutely no greenish tint to the color; it was truly a
“color-change” diamond, and this added value.
But remember, whatever color is produced by
fluorescence, it occurs only in daylight or fluorescent light. And when
it comes to colorless diamonds, blue fluorescence can be a
definite plus—the stone will look whiter, and
you may get it for a slightly lower price.
4. What are clarity-enhanced diamonds and
why are they so much more affordable than other diamonds? A clarity-enhanced diamond is one in which the
clarity has been artificially improved. It can refer to a diamond that has
been treated by lasering techniques to pulverize or decolorize
black inclusions so that they are no longer visible. The
results are permanent. In most cases, however,
“clarity-enhanced” means the diamond has
glass-filled cracks; this treatment results in the cracks no
longer being visible and the diamond’s sparkle and beauty
are greatly improved. The results of this treatment are not
“permanent” and if a jeweler works on a piece of
jewelry containing a fracture-filled diamond, the filler might
come out, or, in rare cases, the stone could break if the
jeweler hasn’t been told the stone is filled before
work begins. The filler can be restored if it comes out, and
the stones are usually guaranteed by sellers who are honest
about what they are selling. There is nothing wrong with buying
a fracture-filled diamond as long as you know what you are
buying and have paid an appropriate price (usually less than
half the cost of another stone of comparable quality).
The biggest problem with fracture-filled
diamonds is that they are frequently sold in wholesale diamond
districts without disclosure or with a misleading or dishonest
explanation as to what “clarity-enhanced” means;
most people are told that “clarity enhancement” is
simply “part of the cutting and polishing process”
and that it “simply makes the diamond sparkle
more”!
1. Why does one strand of white cultured
pearls cost so much more than another one that’s the same
size?
The cost is directly
related to quality differences. Many cultured pearls today have
a shell nucleus over which the pearl coating is extremely thin.
This is true whether you are considering Japanese
“akoya” pearls or “South Sea” cultured
pearls, whether white, golden, or black. Thin nacre pearls are
usually heavily treated in order to make them look like
something much more rare and valuable, but the nacre can begin
to chip or peel, and eventually you will have little more than
shell beads remaining.
Many white cultured pearls are dyed to give
them a warm “pink” glow—and then coated with
a substance to make them appear lustrous. South Sea pearls in
every color may be polished to improve the surface appearance
by removing blemishes, to create a rounder pearl, and to
increase the surface shine. The color can also be artificially
created in black and golden pearls.
Fortunately, if you take the time to
carefully examine the costlier pearls—fine pearls with a
deep lustrous character that seems to come from the very core
of the pearl—you’ll soon be able to spot the
“surface shine” of a thin nacre, treated pearl.
Also, after handling fine pearls you’ll be able to notice
a difference in the “feel” of pearls that have
polymer or wax coatings (and they’ll seem too warm to the
touch by comparison to other pearls).
It’s important to buy pearls only
from a fine jeweler who is knowledgeable about pearls. If
buying fancy-color South Sea pearls, I also recommend getting a
laboratory document confirming that the color is natural, since
the color will dramatically affect the cost.
2. I recently bought pearls and told the
jeweler I only wanted real pearls. I took them to an appraiser and found
out they were cultured. What can I do? Unfortunately,
when we talk about pearls today, jewelers are usually selling either
“cultured” pearls or “imitation”
pearls, so when you asked for “real” pearls, the
jeweler thought you were saying you didn’t want
“imitation” pearls. If they wrote
“real” pearls on the sales receipt, you
shouldn’t have any problem getting a refund because
according to the Federal Trade Commission, the term “real
pearls” can only be used when selling “natural
pearls.” Also, if you are dealing with a fine, reputable
jeweler, if you explain that you didn’t get what you
thought you were getting, they should be willing to refund your
money.
You must understand, however, that for more
than sixty years, virtually all pearls sold in any jewelry
store in the world have been “cultured” pearls;
beautiful “natural” pearls are extremely rare and
much more costly than cultured pearls. Most of the oyster beds that provided the fabulous
natural pearls, the “real” pearls you had in mind,
were wiped out decades ago as a result of pollution and
over-fishing. A fine cultured pearl with a thick
“pearl” coating around the nucleus is also a costly
gem, and these will retain their beauty and value for
generations to come. Just be careful not to purchase cultured
pearls with an overly thin pearl coating. But if you really
want natural pearls (that is, not cultured), you must be
prepared to wait to find them, and to pay a high price. For example,
a very fine, triple-strand natural pearl necklace sold at
Christie’s auction house in Geneva, Switzerland, for over
$3 million.
3. What is the difference between a
“natural pearl” and a “cultured pearl”?
A natural pearl forms
accidentally in a mollusk (usually a saltwater oyster or
freshwater mussel), usually around a microscopic intruder such
as a sea parasite. The pearl is all “nacre” (the
“pearly” substance that builds up to form the
pearl) and, because of the way it forms, the shapes are rarely
round or symmetrical, the color is rarely white, and divers
might open 15,000 oysters before finding one natural pearl of
any size and beauty. It also takes many, many years for a pearl
of any size to be formed. This is why they are so costly and
regarded as one of the rarest of gems throughout history, a gem
coveted by the rich and powerful in every age.
Cultured pearls are also formed by the
mollusk, but the process is initiated and managed by science
and technology—the oysters or mussels are spawned in
farms to ensure an abundant supply, the process is started by
inserting a round, polished, white shell bead (or, in the case
of freshwater cultured pearls, by a piece of mantle tissue
and/or a round nucleus of some type) which helps produce a
large pearl in a short period of time. The process requires
monitoring water temperature, pH balance, and nutritional
needs. The nucleus is usually round, to help ensure a larger
percentage of round pearls, and the mollusks are also
periodically cleaned and rotated to try to ensure a high
quality, round pearl. Culturing fine pearls is very
labor-intensive, and nature still plays an important role in
the final outcome, thus they are also expensive, but not as
expensive as a comparable natural pearl. A fine cultured pearl
will exhibit a character similar to the natural pearl, and will
last for generations.
4. Why are freshwater cultured pearls so
much less expensive than saltwater pearls? Freshwater cultured pearls are produced by
different methods than saltwater pearls. With the exception of
American freshwater cultured pearls, freshwater pearls are
produced in large mussels that produce many pearls
simultaneously. Most come from China where they are being
produced by the millions. So, while beautiful, they are readily
available and this lack of rarity makes them much more
affordable than saltwater pearls.
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